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SONIC FEVER

SONIC FEVER is a music project about giving and connecting during this global coronavirus pandemic. Musician Sally Grayson writes songs about and for this difficult time. And for each song, she invites a different set of musicians from all over the world with whom she has never worked before.

NOW

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NOW

This wild indie exploration of how to live and breathe in the moment in the midst of chaos features Elise Trouw on drums, Weasel Walter (Lydia Lunch) on guitar, Arno Jordan on guitar and J. Fyn Marko on synths. The song and video tell a story of how we can avoid anxiety about an unknown future by practicing presence in the here and now. SONG Lyrics, bass: Sally Grayson Drums: Elise Trouw Guitar: Weasel Walter Guitar: Arno Jordan Synths: J. Fyn Marko VIDEO Director: Ian Stahl Co-Director, Cameraman and Editor: Thommy Mross Light Design: Dennis Muelller Stylist & Production Assistant: Anja Winterling www.sallygrayson.com For musicians the pandemic has been a complete disruption to touring and livelihood. An entire industry has come to a stand still. But Elise Trouw could not sit idly in lockdown. She started writing drum loops and recording videos of herself playing them. Sharing these tracks on her Instagram page, she offered that anyone could use them and in this way could keep collaboration and the creative process alive. The idea worked. Her hashtag #elisecollab was used over a thousand times as people from around the world wrote songs using her drum tracks. Sally Grayson was one of them. She took one of Trouw’s drum loops and wrote a simple one minute song. Grayson, recording at home like everyone else, using only her acoustic guitar that she plugged into an octave pedal to get an industrial bass sound, wrote the song “Now.” Grayson had already been working on a collaboration project during the pandemic called SONIC FEVER. Channeling the frustrations and anxiety of the lock down into the songs she began collaborating long distance with different musicians in many parts of the world. After writing on top of Trouw’s Drums, Grayson reached out to guitarist Weasel Walter who she met when he was on tour playing with Lydia Lunch. The guitar track he sent blew Grayson away. It sounded like all the upheaval of the pandemic transferred into an helter-skelter guitar lick. “Now” is a song about learning to live in the present moment even in the midst of fear, uncertainty and doubt about what the future holds. Isn’t it always better to be present to what is happening now than to worry about something that has not happened yet? Walter’s chaotic guitar fit perfectly in juxtaposing against this idea. Grayson felt like the song was not quite done, so she sent the song to her engineer, Arno Jordan in Castle Studios in Dresden for some anchoring rhythm guitar. Jordan would later mix and master the song. Thrilled by the exhilaration of shared song making, and still feeling the song needed something more, she contacted her friend J. Fyn Marko with whom she had her very first songwriting and studio recording experience with, and asked him to add to the song. On Synths, Marko brought a depth and darkness to the song amidst the groove. But collaboration was not yet over for this song. Grayson needed to make a video to accompany it. She reached out to Ian Stahl & Thommy Mross from the Stuttgart band Everdeen to help with the production. Stahl took on the task as director and together with Mross, they scouted out sites and wrote a script that would visualize “Now.” They invited light designer Dennis Mueller and with Anja Winterling joining in as stylist and production assistant. They worked late into the night in Bad Cannstatt in Stuttgart to film “Now.” The video tells the story of a woman (played by Grayson) on the search for peace, who after being teleported to another world through a tunnel, finds what she’s looking for in the form of a mysterious glowing 1972 Volvo 1800 ES. By working together long distance, these musicians and artists have overcome some of the difficulties of isolation, turning times of darkness into creativity and wild collaboration for new songs and videos.


Interconnected

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Interconnected

SONIC FEVER is a project, started by songwriter and producer Sally Grayson (Black Swift), about giving and connecting during the Corona Times. For each song that she’s written, she has worked with a different set of musicians, and for the third release for the song “Interconnected” was joined by Gemma Clarke (JW Paris, Ex-drummer Babyshambles), Josefine Jonsson, Tom Lattimer (Eat the Evidence) and David Griffin (New Secret Weapon, Gaolbyrd). “Interconnected” was mixed and mastered by Arno Jordon of Castle Studios. RECORDING IN LOCKDOWN “How can I record drums without my kit?” That’s what Gemma Clarke thought at the beginning of the pandemic when Sally Grayson asked her to join the SONIC FEVER project. At that point most of the world was on very strict lockdown and Clarke was unable to get to the studio. But with a determined spirit, she thought of her long time friend, producer and multi-instrumentalist, Tom Lattimer. Through a series of most likely hilarious video calls of her singing, beating out and describing the drum rhythm that was in her head, Lattimer was able to create the sounds Clarke would have otherwise played on her kit. She then invited Josefine Jonsson to lay down some bass. Then, the only thing that seemed to be missing was a guitar solo. Clarke came in again with her connections and called upon David Griffin to collaborate. Griffin not only contributed on guitars but threw himself into the song and rewrote the chorus, sang vocals and played synths. The end result is an energetic multi-faceted sound filled with the desperation we all feel from being faced with so many unknowns. ABOUT THE SONG Grayson says, “‘Interconnected’ is a song about how the Corona Virus revealed our interconnectedness. Our lives affect each other, whether we live next door or across the ocean. This pandemic had the potential to unite us in ways we never would have been united, it also had the potential to drive us apart. We’ve certainly seen both happen. I hope this song reminds us to look outside ourselves and see where we can contribute with our unique gifts. I’m incredibly thankful for the joy that SONIC FEVER has brought me with making new connections and friendships. Who knows what new songs and collaborations will come out of this in the future because of this project...”

SONIC FEVER LIVE at schauwerk

The Solidary Song

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The Solidary Song

When I wrote this song,  I was thinking of people who are perhaps at their darkest place because of this virus.  Maybe they have lost a loved one, are sick with the virus themselves, lost their job. I wrote it for anyone who has that whirlwind of worry swirling in their minds and hearts. But in the end, I realized that I also wrote it for me.  

Many evenings when the kids were playing outside, I’d take the opportunity to hop on the keyboard and experiment with chord progressions.  There are moments when I write something and it just clicks. Sometimes it’s just a phrase, a melody that feels right within me, so I take that piece and add around it. I wanted the lyrics of the song to be very straightforward because in moments when we are filled with stress, I think we need a direct and clear message.  And the message that I wanted to share was barefaced: PEACE.  

The thing is, as I would work on the song often in the golden hour with the sun departing out my window, I couldn’t help but let some tears fall on the keys. My own heart was longing to hear the message that I wanted to get out into the world. Whether because of this pandemic or not, everyone out there is walking around holding their own secret sorrows, and I believe all of us in need of that extra dose of grace and peace right now.

I also reached out to my fans with this question, “If there was one phrase you could have whispered in your ear during this crisis, what would it be?” Some of the phrases ended up in the song. “This too shall pass,” “You are enough.” 

For this song, I started with an invite to bassist Dominik Kraemer.  We met when I was on The Voice of Germany.  He’s been playing in that amazing band and other German TV Shows.  He then invited drummer Lukas Berg (Lokee, Roosevelt, Maxim, Raashan Ahmad) who then invited guitarist Philip Breidenbach (Charlotte Haesen, Stefanie Heinzmann, Maxim). I kept hearing strings on the song, so I reached out to Joy Stuhr (The Radiance, The Musical Ambassadors), a fellow American who I met in Berlin years ago, but who now is based out of Beijing, China. 

When I started thinking about the music video, filmmaker Daniel Juan Martinz, from my home state, Michigan approached me to join up to direct and edit a music video. I was very excited for this opportunity and we got to work brainstorming on how to create a music video together with a big ocean separating us.

At one point in the process, I was in my living room, I had the camera on a tripod, then my phone on another tripod directed at the camera’s viewfinder that was on a video call with Dan so that I could get in the frame and he could tell me where to stand how to change the camera settings so he could direct from afar (Oh yes, Digital we are!)


We wanted the video to have an element of the beauty of nature because for me, having the luxury during this time to get out in nature has been something that has helped me feel grounded.  So Dan created a beautiful collage of time lapsed blooming flowers and spinning starry skies.  I projected the scenes of nature upon myself.  I also joined up with Roman Wreden to help film other scenes in Stuttgart and surrounding areas. 

We also wanted to capture the “whispering in your ear” idea and in the end I projected a video of me singing to me.  It all came full circle to sing the song to myself that I needed to hear. 

I truly hope that this song will bring a moment of peace to anyone feeling overwhelmed at this time.  I hope the reminder to just take it one minute and one breath at a time will help us collectively get through it all.

Digital We Are

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Digital We Are

The first song in SONIC FEVER  is about the celebration of technology during this time, and that although we are physically separate, we have the wonderful tool of the internet, and it should be used to reach out to those we love.  The song is called “Digital We Are” and features Mikey Elfers (Thirst Things First, The Killigans) from Lincoln, Nebraska on drums, Tommy Rehbein (Robsapien, Justin Courtney Pierre, Farewell Continental) from Minneapolis, Minnesota on guitar and Travis Collins (A.M.Stryker, We Are the Willows and Deleter) on bass also from Minneapolis, Minnesota. 

Grayson says, “In this time of such unprecedented social separation, where so many are struggling with fear and isolation, It thrills me to be able to collaborate and connect with other musicians and also to support TWLOHA who are there for people who are perhaps at their darkest places mentally.  During this time, what I hope to communicate with this project is:

You are not alone. Hold the Connection!”

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SONIC FEVER supports TWLOHA

During the pandemic all digital sales will be donated to the organisation, “To Write Love on Her Arms” Their Vision statement says:

To Write Love On Her Arms (TWLOHA) is a non-profit movement dedicated to presenting hope and finding help for people struggling with depression, addiction, self-injury, and suicide. TWLOHA exists to encourage, inform, inspire, and also to invest directly into treatment and recovery.